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Anurag Kashyap is an Indian actor and filmmaker who is best known for his Hindi films. He has won numerous awards, including four Filmfare Awards, and even a French honorary degree. His films are both critically and commercially successful, and his awe-inspiring performances have earned him a number of fans and admirers. Read on to learn more about Kashyap's films and watch some of his best work.

No Smoking

Anurag Kashyap's No Smoking in Anurag Kashyap movies revolves around a heavily addicted smoker, John Abraham, who wants to quit smoking by consulting a guru. It's a story that resonates well with audiences, because the guru is not afraid to ask for help if he is not sure about quitting smoking himself.

Anurag Kashyap's first theatrical release, No Smoking, sparked controversy and a debate on whether or not the film was an advocacy for or against smoking. In fact, the film may have been about the repressive nature of authority, as the protagonist Abbas and his friend Prakash Guru fight to keep their habit hidden. While this movie did not do so well at the box office, it received a good amount of positive reviews internationally.

Moreover, No Smoking satirizes censorship by presenting the censorship as a subversive message. K's journey in the police station turns into a journey of the subconscious, and his eventual emergence from the water is the ultimate proof of this. However, his journey becomes a nightmare once he is thrown into the water. Despite this subversive message, No Smoking is still worth a watch, because Kashyap has a great sense of humor about it.

The censorship of smoking is not an ideal thing, and many films with a 'no smoking' message seem to do just that. But in an effort to get the right message across, there is nothing to worry about, as long as they are well-made and have an honest message. Kashyap, on the other hand, has proven to be a master of the cinematic genre.

In No Smoking, Kashyap pays homage to many of his favorite filmmakers and actors. He also pays homage to legendary American choreographer and dancer Bob Fosse in Jab Bhi Ciggaret. While Kashyap is a true fan of the iconic Cabaret director, he isn't an exception to the rule. He often refers to himself as "Beedi Jalaiyele ke vishal desh me cigar Gulzar" in his films.

Raman Raghav 2.0

Directed by Anurag Kashyap, Raman Raghav 2.0 is a 2016 Indian neo-noir psychological thriller. Starring Nawazuddin Siddiqui and Vicky Kaushal, it was inspired by the true story of serial killer Raman Raghav. While the movie lacks the heart of Gangs of Wasseypur, Kashyap's brusque and eerie style is still evident in the film.

Despite its low budget, Anurag Kashyap crafted a taut thriller set in Mumbai slums and pulsating with raucous music. The film never flags and holds the viewer tightly in its grip. With a brisk pace and a few moments of inexplicability, the film is both a satisfying watch and a must-see.

A cheetah picture on the wall echoes Raghav's posture and alley cats slink through the frame. The actors' eyes have a feral amber hue. The story is as complex and heartbreaking as its lead actors' psyches. Anurag Kashyap is a master of the story. Unlike some of his earlier films, this one doesn't have the overly twisted ending that you'd expect from a revenge film.

Despite the unusual storyline and characters, it doesn't slip up tonally. In particular, the soundtrack by Ram Sampath is superb, seamlessly woven into the narrative. A lot of gore is featured in Ramanna's scenes, but it's uncommonly used. Interestingly enough, sitar sequences serve as the background score. These pieces are also perfect for the film's end credits.

That Girl in Yellow Boots

Anurag Kashayap's debut feature is a compelling drama with elements of mystery and thriller. Unfortunately, the film suffers from inconsistencies in its screenplay, which largely makes the film seem stale. The middle portion of the film is slow and repetitive, but the final act pulls itself back into focus and ends on a disturbing note. Here are a few of the reasons why.

The film was made after many people warned Kashyap not to make it. Kashayap was originally going to make a film called Dev D. The subject matter of "That Girl in Yellow Boots" is incest, drugs, and the underbelly of Mumbai, but the storyline didn't fit in with the expectations of most people. The film's story, however, proves that Kashayap can make films with even the most unconventional themes.

"That Girl in Yellow Boots" premiered at Asia Society. A dark, tragic tale, it follows the life of a British woman who is searching for her father in Mumbai. The story involves an illegal immigrant living in the city and dealing with a rogues gallery of corrupt officials. This film will be a difficult film to watch, but one that you should see at least once.

While the story itself is not overly empathetic, there are some scenes that are particularly effective. Koechlin's portrayal of Ruth is convincing. Kashyap also shows his ability to temper our empathy for Ruth, while Kalki Koechlin's character is surprisingly sympathetic. While she's not as well developed as Anurag Kashayap's other films, she makes a good choice.

Manmarziyaan

This romantic drama is filled with heart and soul. It is unlike anything Kashyap has done before, and unlike any other love story. The performances are great and the story is well told. It is an enjoyable ride that will have you rooting for the characters in the end. It is a must-see for lovers of good cinema. Here are a few reasons why:

Anurag Kashyap directed Dev.D in 2009, and his style is similar to Dev.D. Both films have a gentle pace and focus on character development, but the pace is more subdued. While there are scenes of a violent conflict in Manmarziyaan, they don't seem to be tense. It's a slow-burning drama with a lot of heart.

Among the other talented actors, Taapsee Pannu and Vicky Kaushal give solid performances in this unconventional Bollywood movie. The film also stars Abhishek Bachchan, who is playing a conventional, but quirky, father-figure, and Vicky Kaushal, the son of an immigrant. But the film's most memorable element is Taapsee Pannu's performance as Rumi, a fickle-minded woman who falls in love with a philosopher.

Anurag Kashyap'ap's film tries to be a bit more tolerant than some other films of its era. It paints Robbie as a modern-day Maryada Purushottam Ram in a scene where he recites a poem by Amrita Pritam. As a result, this film can be interpreted as a modernised version of Amrita Pritam's classic work.