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If you like to watch martial arts films, then you've probably heard of a few Asian action movies. These films were made in Asia, and are generally much more violent than their American counterparts. But there are other genres of films that have been made in the region as well, and the genre of martial arts is not confined to Asia alone. In fact, many Hollywood films were made in Asia, so there's no shortage of films from that region.

Ang Lee's Ong-Bak

If you're looking for a martial arts movie that's more than a little bit offbeat, Ang Lee's Ong-Bak is a fine choice. The film is a near-feature-length look at the making of the film, shot primarily on DV. The only extra in this section is a running commentary by the director and co-writer of the original story.

Although there are few story elements in Ong-Bak, it's an efficient action film with some of the finest fighting sequences of any action film ever made. Its star, Tony Jaa, is a dazzling athlete with a rock-solid fighting stance, which allows him to explode with graceful brutality in a blink of an eye. It's a wonderful movie that will make you think of the martial arts genre with a fresh perspective.

This film isn't the most complex of all Lee's films. It's not as complex as the film's predecessors, but the story remains surprisingly compelling. The main character, a Taiwanese chef, is also a widower, with three daughters. One of them is an artist who works for a government agency. She's determined to make his life better and obtain a green card for his family. Throughout the film, she juggles her career with her mother and her two children. Ang Lee's Ong-Bak is an overlooked entry in his body of work.

Ang Lee's Ong-Bak is an incredibly impressive film about martial arts. The cinematography is stunning, and there's a fairy tale element woven throughout. While the story is engaging, there's no denying the awe-inspiring visual effects. The film also has several emotionally compelling moments, including a hallway sequence that will make you want to watch it again.

Bruce Lee's Ip Man

Before becoming a famous martial artist, Bruce Lee learned the techniques of Wing Chun from his mentor, Ip Man. Originally from Guangdong province, Ip Man established himself as a renowned master of Wing Chun. His martial art style, which is based on traditional Chinese Kung Fu, is an example of concept-based fighting. Ip Man began training at an early age, and was able to become a world-renowned master by the time he was just twelve years old.

Ip Man, the martial arts expert Bruce Lee trained in the 1950s, had numerous films and was portrayed by Donnie Yen. Although the story is based on real life events, there are a few differences between the real-life figure and the movie. The movies are based on his life, and some scenes are fictional. For example, Ip Man refused to teach martial arts to the Japanese military police, and escaped to Foshan.

During the first film, Ip Man lives a life of luxury in Foshan. He marries Cheung Wing-Sing, a woman who was raised in Foshan. The couple eventually have three children, two sons and two daughters. One of his sons, Ip Chun, is an actor, and the other daughter, Yip Ar Woon, a dancer, is a singer. The story follows the lives of these three siblings.

Tom Cruise's Top Gun

Despite its success, Tom Cruise's Top Gun is still unrivalled among Asian action movies. The star of the original film is back as an air force pilot, only this time in the role of a Chinese pilot. The film follows his journey from being a student pilot to an instructor in the US Navy's elite Strike Fighter Tactics Instructor program, where he teaches American football and learns the art of flying a jet.

"Top Gun: Maverick" is a sequel to the classic 1980s film, starring Tom Cruise and Val Kilmer. The movie has broken box office records in the U.S., but it has also won praise for its decision to remove the flags of both Taiwan and China from the film's production. China, of course, views Taiwan as its inalienable territory, and any reference to it in a film would be met with angry protests from Beijing.

"Top Gun" is a classic American film with an iconic American male hero. The cast is filled with great actors, and Tom Cruise is still one of the most successful actors in Hollywood. In the sequel, Cruise reunites with Val Kilmer as Tom "Iceman" Kazansky, a veteran Navy aviator in his last days. The film includes love scenes, and a Viagra commercial feel. Cruise, too, looks back fondly on his youthful, vital days.

Shaolin Soccer

The concept of non-duality is common in both the Hollywood and Hong Kong martial arts genres. Likewise, the movement of a Chinese martial artist resembles the swirling motion of a Hollywood action hero. Likewise, the use of tiger and crane styles represents hard and soft, male and female, and high and low. This is a metaphor for wholeness, and the athlete hero employs both of these styles to score a goal in Shaolin soccer.

The camera in a Shaolin Soccer film captures the simultaneous movements of the players and the soccer ball. The camera zooms in to the swirling physical action of the athlete, demonstrating the blending of technological feats and the spiritual nature of Chinese culture. This action movie embodies the spiritual journey of its hero while addressing a larger audience from different cultures. This is reflected in the computer-generated graphics that show him executing the moves.

Stephen Chow directed, wrote, and starred in Shaolin Soccer, a 2001 sports comedy. The film was a smash hit at the Hong Kong box office, and Miramax acquired worldwide distribution rights. Shaolin Soccer combines martial arts chic with a touch of slapstick. It is a fun movie to watch, but it is not for the faint of heart. If you're not familiar with this film, you can find it on Hulu.

Yoo-Gun vs Ik-Ho

The best Asian action movies are over the top, with a slick plot, larger-than-life protagonist, and over-the-top action scenes. The storyline is a classic one, involving a man who has confessed to murder after being tortured by the police. His lawyer, Joon-Young, takes notice of the case and becomes swept up in the ecstasy of the sexy crime. He then learns about the crime of his client, Hyun-Woo, who is a wealthy family friend.

Yoo-Gun is an ex-detective with a criminal past who finds personal fulfillment in wrestling. His fiery rage and powerful will make him a formidable adversary, and he's never been beaten in a fight. Yoo-Gun and Ik-Ho both have unique attributes that set them apart in a classic Asian action movie.

Dae-ho's boss is a disdainful man, and he tries to break free. His attempts to impress the boss are futile, but he gains confidence in his dishonourable heel. As a result, he is able to win the fight and redeem his masculine pride. Dae-ho even makes a fool of himself at an office karaoke party, only to get pummeled by his boss.

In Love at the Buff

In Love at the Buff is the sequel to the highly successful "Love in a Puff." It continues the story of a Hong Kong advertising man and a cosmetics shop girl. The film begins by shattering the ending of the previous film, as Jimmy realizes that his commitment to Cherie has been put on the backburner in favor of work. His impulsive decision to move to Beijing is ultimately driven by the offer of a job in the city. Jimmy leaves Cherie behind to start a new life in Beijing.

Director Pang Ho-cheung explains his choice of setting for this movie. Unlike the prequel, which takes place in Hong Kong, "Love at the Buff" eschews the Hong Kong setting to focus on the Mainland. The film is a rom-com with profanities and callous humour. The film opens in Hong Kong's Hong Kong International Film Festival on March 21, before heading to mainland China and other cities worldwide.

In Love at the Buff is a comedy, a movie with some fun references to Hong Kong and Cantonese. There are also references to local pop culture. Fans of Pang will likely find this film amusing. It may even garner more fans than its predecessor. And, with its Asian-style cast, this movie will appeal to people from the Mainland and Hong Kong. But beware of the film's lack of depth and humour.